Kings Street Station, 303 S Jackson St (Top Floor), Seattle, WA 98104
Free & open to the public Wed-Sat 11am-5pm
Please Touch: Together, Breaking Barriers challenges the traditional boundaries of art appreciation by inviting visitors to engage with artwork through touch.
Please Touch has called various Seattle venues home for the past 10 years. Now, this exhibition comes to ARTS King Street Station to raise awareness about accessibility for blind and low-vision individuals in the arts while bridging the gap between visual and tactile art experiences.
Elizabeth Arzani & Owen Premore: Receiving Space On view: September 7th – September 28th, 2024 Opening Reception: September 7th, 5-8pm Artist Talk: Saturday September 28th 5pm Hours: Thursday – Saturday, noon-5pm
Using fragments, fate, and found materials, Elizabeth Arzani and Owen Premore respond to happenstance and the unknown in their two-person exhibition, Receiving Space.
Textual, Textile: Elizabeth Arzani, Karey Kessler, Alyson Provax, Tara Tamaribuchi
The Vestibule presents a collaboratively curated exhibition of four Pacific Northwest artists, Elizabeth Arzani, Karey Kessler, Alyson Provax, Tara Tamabuchi. The works each hint at a storyor a poem, in ceramic, letterpress, watercolor, or textile.
Artists: Raphael Arar, Elizabeth Arzani, Heather Lee Birdsong, Brittney Connelly, Epiphany Couch, Renee Couture, Carolyn Hazel Drake, Michael Espinoza, Quinha Faria, Marcelo Fontana, Pamela Hadley, Chris Lael Larson, Matthew Bennett Laurents, Maria Lux, Kyle Adam Kalev Peets, Allan Pichardo, Kim Smith Claudel, Matt Williams, Rachael Zur
Through decomposition, soil is made fertile for seeds to take root. What should we construct from what needs to be deconstructed—systems, ideologies, images, a line, a composition, a theory? What should or could grow in its place? In the decay of dated systems and ideas for art, culture, politics, artists can plant new seeds and imagine new ecosystems.
SOSO, the studio of spaces & objects is both a showroom and experimental gallery located in the studio of Matthew Philip Williams. Williams defines SOSO as an exploration of our built environment.
“…Objects in context, spaces with purpose. Trying to understand the things we make here in their lives beyond us.”
